diff --git a/hamilr4.pd b/hamilr4.pd
index 1053d12..70ad3af 100644
--- a/hamilr4.pd
+++ b/hamilr4.pd
@@ -251,6 +251,193 @@ control data... this can be any size.;
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 #X obj 946 342 throw~ deegaj_audio_1;
+#X text 268 530 More control;
+#X text 268 570 More structure... timeline;
+#X text 268 490 More cowbell... sounds;
+#X text 242 450 Show off browser examples;
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@@ -476,15 +663,1052 @@ at the specified pitch.;
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+#X text -412 83 * NOTE here we're using "mtof~" not "mtof". The output
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+#X text 196 87 bursts;
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+#X text 215 185 middle C);
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+#X text 364 22 REV3~ - hard-core \, 2-in \, 4-out reverberator;
+#X text 337 74 The creation arguments (level \, liveness \, crossover
+frequency \, HF damping) may also be supplied in four inlets as shown.
+The "liveness" (actually the internal feedback percentage) should be
+100 for infinite reverb \, 90 for longish \, and 80 for short. The
+crossover frequency and HF damping work together: at frequencies above
+crossover \, the feedback is diminished by the "damping" as a percentage.
+So zero HF damping means equal reverb time at all frequencies \, and
+100% damping means almost nothing above the crossover frequency gets
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+#X text 337 47 (A more expensive \, presumably better \, one than rev2~.)
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+#X text 269 156 The delwrite~ object creates the delay line \; you
+give it a name and a size in milliseconds. Each delwrite~ should have
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+#X obj 35 140 metro 1000;
+#X text 61 223 write to delay line;
+#X obj 36 352 +~;
+#X obj 45 242 delwrite~ delay1 1000;
+#X text 269 101 You can delay a signal using the delwrite~ and delread~
+objects. In this example \, a sample loops continuously and is added
+to a delayed copy of itself.;
+#X text 268 292 The delread~ object always delays the signal an integer
+number of samples and does no interpolation.;
+#X text 49 184 test signal to delay;
+#X text 269 207 Delread~'s arguments are the name of a delwrite (of
+which there should be exactly one) and an optional delay time in milliseconds
+between 0 and the length of the delay line. Each delwrite~ may have
+as many delread~s as you wish \, which can then function as multiple
+delay taps.;
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+#X text 45 262 Processing;
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+#X text 121 227 high pass filter to cut DC;
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+#X text 97 56 <-- read point in 100ths of a second;
+#X text 119 109 convert to SAMPLES (441 samples in 0.01 sec);
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+#X text 271 182 read from the table;
+#X text 262 200 (the input is the index in samples);
+#X text 555 243 (one second plus three extra;
+#X text 557 262 for 4-point interpolation);
+#X text 263 387 message to read a soundfile into the table (automatically
+sent when you load this patch by the "loadbang" object.);
+#X text 109 158 convert smoothly to audio signal;
+#X text 109 70 (range is 0-100.) YOU ONLY HEAR OUTPUT;
+#X text 110 86 WHEN THIS IS 0-100 AND ACTIVELY CHANGING.;
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+#X text 43 481 "Horrible" Instruments;
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+#X text 92 17 ADDITIVE SYNTHESIS;
+#X text 511 224 duration in tenths;
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+#X text 397 233 pitch;
+#X text 443 528 updated for Pd version 0.37;
+#X text 36 93 Partial takes as arguments an amplitude \, a relative
+frequency \, a detuning frequency \, and a relative duration. You set
+absolute duration and pitch using the controls below. Hit the trigger
+to make sound.;
+#X obj 46 174 partial 1 1 0.56 0;
+#X text 37 41 This patch demonstrates using an abstraction \, "partial"
+\, to make a simple additive synthesis instrument originally from Jean-Claude
+Risset.;
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+#X text 395 334 <-- click to play a note;
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+#X text 525 105 duration in tenths;
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+#X text 56 720 Risset "Bells" model;
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+#X text 107 -27 <-- speed;
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+#X obj 173 144 + 1;
+#X obj 198 144 prepend set;
+#X floatatom 297 310 0 0 100 0 - - -;
+#X floatatom 326 356 0 0 100 0 - - -;
+#X text 328 310 <-- width of sample to be read;
+#X text 357 356 <-- starting position;
+#X text 227 55 <-- speed;
+#X obj 21 3 inlet;
+#X obj 67 4 inlet;
+#X obj 187 6 inlet;
+#X obj 243 193 inlet;
+#X obj 304 286 inlet;
+#X obj 354 326 inlet;
+#X obj 446 379 inlet;
+#X obj 208 466 outlet~;
+#X obj 381 445 inlet;
+#X obj 268 427 sample-player;
+#X connect 0 0 30 3;
+#X connect 1 0 30 0;
+#X connect 6 0 30 0;
+#X connect 7 0 11 0;
+#X connect 8 0 7 1;
+#X connect 9 0 7 0;
+#X connect 10 0 7 0;
+#X connect 11 0 13 0;
+#X connect 12 0 6 0;
+#X connect 13 0 14 0;
+#X connect 14 0 15 0;
+#X connect 14 0 12 0;
+#X connect 15 0 13 0;
+#X connect 16 0 30 1;
+#X connect 17 0 30 2;
+#X connect 21 0 9 0;
+#X connect 22 0 10 0;
+#X connect 23 0 8 0;
+#X connect 24 0 1 0;
+#X connect 25 0 16 0;
+#X connect 26 0 17 0;
+#X connect 27 0 0 0;
+#X connect 29 0 5 2;
+#X connect 30 0 5 0;
+#X connect 30 0 5 1;
+#X connect 30 0 28 0;
+#X restore 281 67 pd sampler-instance;
+#X obj 148 345 sample-player;
+#X connect 0 0 26 3;
+#X connect 1 0 26 0;
+#X connect 6 0 26 0;
+#X connect 7 0 14 0;
+#X connect 8 0 7 1;
+#X connect 9 0 7 0;
+#X connect 11 0 7 0;
+#X connect 12 0 7 0;
+#X connect 13 0 7 0;
+#X connect 14 0 17 0;
+#X connect 16 0 6 0;
+#X connect 17 0 18 0;
+#X connect 18 0 19 0;
+#X connect 18 0 16 0;
+#X connect 19 0 17 0;
+#X connect 20 0 26 1;
+#X connect 21 0 26 2;
+#X connect 26 0 5 0;
+#X connect 26 0 5 1;
+#X restore 341 331 pd sample-players;
+#N canvas 347 49 578 534 sampler-instance 0;
+#X msg 259 315 voice.wav;
+#X floatatom 125 206 0 0 100 0 - - -;
+#X text 216 158 <-- read point in 100ths of a second;
+#X text 228 172 (range is 0-100.) YOU ONLY HEAR OUTPUT;
+#X text 229 188 WHEN THIS IS 0-100 AND ACTIVELY CHANGING.;
+#X obj 93 429 output~;
+#X floatatom 90 207 5 0 0 0 - - -;
+#X obj 53 85 metro 500;
+#X floatatom 125 59 4 0 0 0 - - -;
+#X msg 53 59 1;
+#X msg 89 59 0;
+#X obj 35 86 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
+-1;
+#X floatatom 53 113 5 0 0 0 - - -;
+#X obj 90 113 + 1;
+#X obj 115 113 prepend set;
+#X floatatom 209 239 0 0 0 0 - - -;
+#X floatatom 253 281 0 0 0 0 - - -;
+#X text 253 221 <-- width of sample to be read;
+#X text 293 260 <-- starting position;
+#X text 158 60 <-- speed;
+#X obj 53 39 inlet;
+#X obj 89 39 inlet;
+#X obj 125 39 inlet;
+#X obj 167 161 inlet;
+#X obj 209 220 inlet;
+#X obj 253 262 inlet;
+#X obj 323 315 inlet;
+#X obj 30 432 outlet~;
+#X obj 373 390 inlet;
+#X floatatom 373 413 5 0 0 0 - - -;
+#X obj 90 393 sample-player;
+#X text 366 314 <-- filename/path;
+#X text 418 391 <-- Output volume;
+#X connect 0 0 30 3;
+#X connect 1 0 30 0;
+#X connect 6 0 30 0;
+#X connect 7 0 11 0;
+#X connect 7 0 12 0;
+#X connect 8 0 7 1;
+#X connect 9 0 7 0;
+#X connect 10 0 7 0;
+#X connect 12 0 13 0;
+#X connect 13 0 14 0;
+#X connect 13 0 6 0;
+#X connect 14 0 12 0;
+#X connect 15 0 30 1;
+#X connect 16 0 30 2;
+#X connect 20 0 9 0;
+#X connect 21 0 10 0;
+#X connect 22 0 8 0;
+#X connect 23 0 1 0;
+#X connect 24 0 15 0;
+#X connect 25 0 16 0;
+#X connect 26 0 30 3;
+#X connect 28 0 29 0;
+#X connect 29 0 5 2;
+#X connect 30 0 5 0;
+#X connect 30 0 5 1;
+#X connect 30 0 27 0;
+#X restore 503 231 pd sampler-instance;
+#X text 429 146 Start Metro;
+#X obj 503 148 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#X obj 518 127 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#X text 444 125 Stop Metro;
+#X floatatom 534 104 4 0 0 0 - - -;
+#X text 458 104 Metro speed;
+#X text 580 128 Metro read point;
+#X floatatom 550 127 0 0 99 0 - - -;
+#X msg 598 191 voice.wav;
+#X floatatom 566 148 0 0 100 0 - - -;
+#X floatatom 582 169 0 0 100 0 - - -;
+#X text 597 148 <-- width of sample to be read;
+#X text 613 169 <-- starting position;
+#X text 670 191 Filename;
+#X floatatom 614 211 0 0 100 0 - - -;
+#X text 643 212 Volume;
+#X connect 25 0 23 0;
+#X connect 26 0 23 1;
+#X connect 28 0 23 2;
+#X connect 31 0 23 3;
+#X connect 32 0 23 6;
+#X connect 33 0 23 4;
+#X connect 34 0 23 5;
+#X connect 38 0 23 7;
+#X restore 155 488 pd more_sounds;
+#N canvas 0 23 450 300 more_control 0;
+#N canvas 932 23 405 432 keyboard-input 0;
+#X obj 57 62 key;
+#X floatatom 57 90 3 0 0 0 - - -;
+#X floatatom 96 88 3 0 0 0 - - -;
+#X obj 96 62 keyup;
+#X floatatom 147 88 3 0 0 0 - - -;
+#X obj 147 62 keyname;
+#X symbolatom 191 89 10 0 0 0 - - -;
+#X text -16 -75 Key and keyup report the (system dependent) numbers
+of "printing" keys of the keyboard. Keyname gives the symbolic name
+of the key \, with a 1 or 0 if it's up or down \, and works with non-printing
+keys like shift or "F1".;
+#X text -24 -8 Caveat -- this only works if Pd actually gets the key
+events which can depend on the stacking order of windows and/or the
+pointer location \, depending on the system.;
+#X obj -12 252 select 97;
+#X obj -12 283 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#X obj 57 253 select 115;
+#X obj 57 281 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144 -1
+-1;
+#X obj 57 128 s keypress;
+#X obj 58 166 r keypress;
+#X obj 58 204 select 119;
+#X obj 58 229 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144 -1
+-1;
+#X obj 133 281 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#X obj 133 253 select 100;
+#X connect 0 0 1 0;
+#X connect 1 0 13 0;
+#X connect 3 0 2 0;
+#X connect 5 0 4 0;
+#X connect 5 1 6 0;
+#X connect 9 0 10 0;
+#X connect 11 0 12 0;
+#X connect 14 0 9 0;
+#X connect 14 0 11 0;
+#X connect 14 0 15 0;
+#X connect 14 0 18 0;
+#X connect 15 0 16 0;
+#X connect 18 0 17 0;
+#X restore 70 54 pd keyboard-input;
+#N canvas 309 359 632 605 sequences 0;
+#X obj 79 59 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0 1
+;
+#X obj 79 87 metro 250;
+#X obj 79 115 f;
+#X obj 106 114 + 1;
+#X obj 79 142 mod 16;
+#X obj 92 173 nbx 5 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
+-262144 -1 -1 0 256;
+#X obj 79 226 + 1;
+#X obj 79 278 int;
+#X obj 79 304 mtof;
+#X obj 92 332 nbx 5 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
+-262144 -1 -1 0 256;
+#X obj 79 368 phasor~;
+#X obj 79 195 tabread melody;
+#N canvas 0 22 1652 1321 (subpatch) 0;
+#X array melody 16 float 1;
+#A 0 74 76 77 76 74 77 79 81 88 88 0 82 0 62 0 72;
+#X coords 0 127 15 0 200 140 1 0 0;
+#X restore 213 68 graph;
+#X obj 110 228 nbx 5 14 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10
+-262144 -1 -1 0 256;
+#X msg 213 231 \; melody 0 60 62 64 65 67 69 71 72 72 72 67 69 71 72
+72 72;
+#X msg 213 271 \; melody 0 74 76 77 76 74 77 79 81 88 88 0 82 0 62
+0;
+#X obj 79 408 output~;
+#X connect 0 0 1 0;
+#X connect 1 0 2 0;
+#X connect 2 0 3 0;
+#X connect 2 0 4 0;
+#X connect 3 0 2 1;
+#X connect 4 0 5 0;
+#X connect 4 0 11 0;
+#X connect 6 0 7 0;
+#X connect 7 0 8 0;
+#X connect 8 0 9 0;
+#X connect 8 0 10 0;
+#X connect 10 0 16 0;
+#X connect 10 0 16 1;
+#X connect 11 0 6 0;
+#X connect 11 0 13 0;
+#X restore 70 32 pd sequences;
+#X restore 148 531 pd more_control;
+#N canvas 0 23 450 300 more_structure 0;
+#X obj 28 50 hamilr4_etude_1 one 2 three;
+#X obj 83 156 s bartoa_mute;
+#X obj 94 133 s bartoa_solo;
+#X obj 103 101 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
 1;
-#X obj 908 548 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
+#X obj 83 101 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
 1;
+#X obj 241 116 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#N canvas 185 454 450 300 solo_mute 0;
+#X obj 196 106 print;
+#X obj 197 31 inlet;
+#X obj 252 71 f \$1;
+#X connect 1 0 2 0;
+#X connect 2 0 0 0;
+#X restore 228 153 pd solo_mute 1 2 3;
+#X connect 3 0 2 0;
+#X connect 4 0 1 0;
+#X connect 5 0 6 0;
+#X restore 134 574 pd more_structure;
 #X connect 7 0 9 0;
 #X connect 8 0 12 0;
 #X connect 10 0 11 0;
@@ -499,6 +1723,3 @@ at the specified pitch.;
 #X connect 23 0 18 0;
 #X connect 24 0 21 0;
 #X connect 25 0 23 0;
-#X connect 31 0 33 0;
-#X connect 36 0 35 0;
-#X connect 37 0 34 0;
diff --git a/hamilr4_etude_1.pd b/hamilr4_etude_1.pd
new file mode 100644
index 0000000..d9d443c
--- /dev/null
+++ b/hamilr4_etude_1.pd
@@ -0,0 +1,17 @@
+#N canvas 0 23 573 657 12;
+#X msg 104 55 bang;
+#X obj 62 108 symbol \$1;
+#X obj 156 104 f \$2;
+#X obj 62 84 t b b;
+#X obj 61 131 pack symbol float;
+#X msg 61 157 six \$1 \$2;
+#X obj 61 184 print;
+#X obj 61 29 inlet;
+#X connect 0 0 3 0;
+#X connect 1 0 4 0;
+#X connect 2 0 4 1;
+#X connect 3 0 1 0;
+#X connect 3 1 2 0;
+#X connect 4 0 5 0;
+#X connect 5 0 6 0;
+#X connect 7 0 3 0;
diff --git a/masheen.pd b/masheen.pd
index 466d456..def0b48 100644
--- a/masheen.pd
+++ b/masheen.pd
@@ -66,7 +66,7 @@
 #X obj 354 199 metro 500;
 #X obj 354 220 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
 -1 -1;
-#X obj 354 182 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 1
+#X obj 354 182 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
 1;
 #X obj 658 82 send hamilr4_control;
 #X msg 657 25 1 2 3 4 5;
@@ -141,6 +141,7 @@ the outlet for now.;
 #X obj 514 87 r global_tempo_ms;
 #X obj 414 57 r global_tempo_bpm;
 #X obj 354 33 r global_tempo_onoff;
+#X floatatom 612 183 5 0 0 0 - - -;
 #X connect 20 0 21 0;
 #X connect 21 0 19 0;
 #X connect 22 0 20 0;
diff --git a/output~.pd b/output~.pd
new file mode 100755
index 0000000..a916414
--- /dev/null
+++ b/output~.pd
@@ -0,0 +1,69 @@
+#N canvas 0 22 615 578 12;
+#X obj 353 490 t b;
+#X obj 353 437 f;
+#X obj 353 515 f;
+#X msg 467 514 0;
+#X obj 353 467 moses 1;
+#X obj 467 486 t b f;
+#X obj 433 447 moses 1;
+#X obj 29 97 dbtorms;
+#X obj 85 170 inlet~;
+#X msg 299 310 \; pd dsp 1;
+#X obj 29 170 line~;
+#X obj 64 242 *~;
+#X obj 64 272 dac~;
+#X obj 29 127 pack 0 50;
+#X text 121 146 audio in;
+#X text 138 464 test if less than 1 -->;
+#X text 104 491 if true convert to bang -->;
+#X text 100 96 <-- convert from dB to linear units;
+#X floatatom 323 219 3 0 100 0 dB - -;
+#X obj 350 240 bng 15 250 50 0 empty empty mute -38 7 0 12 -262144
+-1 -1;
+#X text 118 126 <-- make a ramp to avoid clicks or zipper noise;
+#X obj 148 170 inlet~;
+#X obj 154 241 *~;
+#X text 373 378 MUTE logic:;
+#X obj 323 174 r \$0-master-lvl;
+#X obj 353 541 s \$0-master-lvl;
+#X obj 323 279 s \$0-master-out;
+#X obj 29 71 r \$0-master-out;
+#X obj 433 418 r \$0-master-out;
+#X text 60 10 Level control abstraction \, used in many of the Pd example
+patches. The "level" and "mute" controls show up on the parent \, calling
+patch.;
+#X text 66 517 previous nonzero master-lvl -->;
+#X text 138 421 recall previous;
+#X text 138 439 value of master-lvl -->;
+#X text 39 319 automatically start DSP -->;
+#X obj 85 192 hip~ 3;
+#X obj 147 192 hip~ 3;
+#X obj 281 174 inlet;
+#X text 278 152 volume;
+#X connect 0 0 2 0;
+#X connect 1 0 4 0;
+#X connect 2 0 25 0;
+#X connect 3 0 25 0;
+#X connect 4 0 0 0;
+#X connect 4 1 5 0;
+#X connect 5 0 3 0;
+#X connect 6 1 2 1;
+#X connect 7 0 13 0;
+#X connect 8 0 34 0;
+#X connect 10 0 22 0;
+#X connect 10 0 11 0;
+#X connect 11 0 12 0;
+#X connect 13 0 10 0;
+#X connect 18 0 9 0;
+#X connect 18 0 26 0;
+#X connect 19 0 1 0;
+#X connect 21 0 35 0;
+#X connect 22 0 12 1;
+#X connect 24 0 18 0;
+#X connect 27 0 7 0;
+#X connect 28 0 1 1;
+#X connect 28 0 6 0;
+#X connect 34 0 11 1;
+#X connect 35 0 22 1;
+#X connect 36 0 18 0;
+#X coords 0 0 1 1 65 55 1 300 200;
diff --git a/partial.pd b/partial.pd
new file mode 100755
index 0000000..03bb925
--- /dev/null
+++ b/partial.pd
@@ -0,0 +1,76 @@
+#N canvas 18 78 880 448 12;
+#X obj 465 234 sqrt;
+#X text 17 88 trigger;
+#X text 33 175 relative frequency;
+#X obj 17 341 *~;
+#X obj 227 322 line~;
+#X obj 227 349 *~;
+#X obj 227 376 *~;
+#X msg 227 285 0 \$1;
+#X obj 465 261 sqrt;
+#X obj 17 113 r trigger;
+#X obj 465 180 float \$1;
+#X obj 249 235 r duration;
+#X obj 39 226 r frequency;
+#X obj 227 158 t b b;
+#X text 303 209 relative duration;
+#X obj 17 368 throw~ sum;
+#X obj 17 140 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
+-1;
+#X msg 465 288 \$1 5;
+#X obj 227 185 del 5;
+#X obj 465 207 * 0.1;
+#X obj 17 279 + \$4;
+#X text 550 178 get amplitude from argument 1;
+#X text 524 206 normalize to 0.1;
+#X text 516 233 take fourth root (square root twice);
+#X text 544 250 because we'll raise line~ output to;
+#X text 543 267 fourth power;
+#X text 515 292 attack time 5 msec;
+#X text 280 184 decay after 5 msec;
+#X text 469 157 attack;
+#X obj 226 211 float \$2;
+#X obj 227 258 *;
+#X text 264 258 actual duration;
+#X obj 17 200 float \$3;
+#X obj 17 252 *;
+#X obj 17 314 osc~;
+#X text 49 252 times global freq.;
+#X text 60 279 plus detune;
+#X text 271 285 decay msg to line~;
+#X text 266 350 raise to fourth power for;
+#X text 267 368 natural-sounding decay shape;
+#X text 20 396 add to global;
+#X text 19 415 summing bus;
+#X text 21 45 This patch is used as an abstraction in the additive
+synthesis example \, D06.additive.pd;
+#X text 25 4 partial -- sinusoidal partial for additive synthesis;
+#X text 631 12 arguments:;
+#X text 605 37 1 amplitude \; 2 relative duration \; 3 relative frequency
+\; 4 detune;
+#X connect 0 0 8 0;
+#X connect 3 0 15 0;
+#X connect 4 0 5 0;
+#X connect 4 0 5 1;
+#X connect 5 0 6 0;
+#X connect 5 0 6 1;
+#X connect 6 0 3 1;
+#X connect 7 0 4 0;
+#X connect 8 0 17 0;
+#X connect 9 0 16 0;
+#X connect 10 0 19 0;
+#X connect 11 0 30 1;
+#X connect 12 0 33 1;
+#X connect 13 0 18 0;
+#X connect 13 1 10 0;
+#X connect 16 0 13 0;
+#X connect 16 0 32 0;
+#X connect 17 0 4 0;
+#X connect 18 0 29 0;
+#X connect 19 0 0 0;
+#X connect 20 0 34 0;
+#X connect 29 0 30 0;
+#X connect 30 0 7 0;
+#X connect 32 0 33 0;
+#X connect 33 0 20 0;
+#X connect 34 0 3 0;
diff --git a/sample-player.pd b/sample-player.pd
new file mode 100755
index 0000000..8f0d358
--- /dev/null
+++ b/sample-player.pd
@@ -0,0 +1,109 @@
+#N canvas 177 182 999 656 10;
+#X obj 58 278 hip~ 5;
+#X text -119 277 high pass filter to cut DC;
+#N canvas 0 22 450 300 (subpatch) 0;
+#X array \$0-sample 62079 float 0;
+#X coords 0 1.02 62078 -1.02 200 130 1;
+#X restore -80 408 graph;
+#X obj 58 211 line~;
+#X floatatom 57 75 0 0 0 0 - - -;
+#X text -214 162 convert to SAMPLES (441 samples in 0.01 sec);
+#X text -80 241 read from the table;
+#X text -170 255 (the input is the index in samples);
+#X text -74 561 (one second plus three extra;
+#X text -72 580 for 4-point interpolation);
+#X text 424 310 message to read a soundfile into the table (automatically
+sent when you load this patch by the "loadbang" object.);
+#X text -145 210 convert smoothly to audio signal;
+#X text -211 87 (range is 0-100.) YOU ONLY HEAR OUTPUT;
+#X text -210 103 WHEN THIS IS 0-100 AND ACTIVELY CHANGING.;
+#X text -81 539 --- 44103 samples ---;
+#X obj 444 290 soundfiler;
+#X obj 58 310 outlet~;
+#X obj 58 246 tabread4~ \$0-sample;
+#X obj 483 47 inlet;
+#X obj 444 192 prepend;
+#X obj 444 102 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#X obj 57 22 inlet;
+#X obj 393 233 print;
+#X obj 444 122 f \$0;
+#X msg 444 147 \$1-sample;
+#X floatatom 16 21 5 0 0 0 - - -;
+#X obj 97 22 inlet;
+#X floatatom 97 45 0 0 0 0 - - -;
+#X obj 57 48 % 100;
+#X obj 137 22 inlet;
+#X obj 57 102 + 0;
+#X floatatom 57 135 0 0 0 0 - - -;
+#X floatatom 82 102 5 0 0 0 - - -;
+#X obj 483 85 prepend read -resize;
+#X obj 194 89 soundfile_info;
+#X obj 194 64 prepend read;
+#X msg 194 113 \$3;
+#X text 225 112 length of loaded file (samples);
+#X floatatom 208 140 5 0 0 0 - - -;
+#X obj 195 178 / 100;
+#X floatatom 207 223 5 0 0 0 - - -;
+#X text -223 73 read point in 100ths of a second;
+#X obj 193 304 snapshot~;
+#X floatatom 193 332 15 0 0 0 - - -;
+#X obj 194 276 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
+-1 -1;
+#X obj 193 377 print;
+#X obj 273 187 / 100;
+#X obj 273 216 * 1;
+#X text 314 186 calc percentage;
+#X text 314 198 of file length;
+#X floatatom 280 254 5 0 0 0 - - -;
+#X obj 58 162 * 441;
+#X obj 58 186 pack 0 100;
+#X obj 289 396 % 44100;
+#X floatatom 289 422 15 0 0 0 - - -;
+#X obj 328 369 * 441;
+#X obj 234 505 sig~;
+#X obj 283 459 sig~;
+#X connect 0 0 16 0;
+#X connect 3 0 42 0;
+#X connect 3 0 17 0;
+#X connect 4 0 30 0;
+#X connect 17 0 0 0;
+#X connect 18 0 33 0;
+#X connect 18 0 35 0;
+#X connect 19 0 22 0;
+#X connect 19 0 15 0;
+#X connect 20 0 23 0;
+#X connect 21 0 28 0;
+#X connect 23 0 24 0;
+#X connect 24 0 19 0;
+#X connect 25 0 28 0;
+#X connect 26 0 27 0;
+#X connect 27 0 28 1;
+#X connect 27 0 55 0;
+#X connect 28 0 4 0;
+#X connect 29 0 30 1;
+#X connect 30 0 31 0;
+#X connect 31 0 51 0;
+#X connect 32 0 30 1;
+#X connect 33 0 19 1;
+#X connect 33 0 20 0;
+#X connect 34 0 36 0;
+#X connect 35 0 34 0;
+#X connect 36 0 38 0;
+#X connect 36 0 39 0;
+#X connect 38 0 46 0;
+#X connect 39 0 27 0;
+#X connect 39 0 40 0;
+#X connect 42 0 43 0;
+#X connect 43 0 45 0;
+#X connect 43 0 53 0;
+#X connect 44 0 42 0;
+#X connect 46 0 47 0;
+#X connect 47 0 50 0;
+#X connect 51 0 52 0;
+#X connect 52 0 3 0;
+#X connect 52 0 44 0;
+#X connect 53 0 54 0;
+#X connect 54 0 45 0;
+#X connect 54 0 57 0;
+#X connect 55 0 53 1;
diff --git a/test.pd b/test.pd
new file mode 100644
index 0000000..436454b
--- /dev/null
+++ b/test.pd
@@ -0,0 +1,6 @@
+#N canvas 0 23 450 300 12;
+#X obj 37 37 inlet;
+#X obj 37 61 f \$1;
+#X obj 37 85 print;
+#X connect 0 0 1 0;
+#X connect 1 0 2 0;
diff --git a/voice.wav b/voice.wav
new file mode 100755
index 0000000..8b7f1ac
Binary files /dev/null and b/voice.wav differ